Being the history geek that I am, I guess it is kind of surprising that I haven't really done a "historically accurate" animation series before, but after seeing that awesome Buzzfeed Disney Princess video, and of course all the amazing art on here, I was inspired to make my own. I guess it is better late than never!
As I've said before elsewhere, from an artistic standpoint, I'm not at all bothered by the animated designs of the characters in Disney and Dreamworks films. They weren't documentaries after all so in most cases they didn't need to be accurate, and in animation in particular, it is more important to convey character and style in the designs. I am not trying to "fix" anything because I don't think there is anything to fix! That being said, it can still be fun to learn how your favorite characters might have looked if they had existed in real life.
For my series, I am trying to be as accurate as I possibly can. I'm taking the country of origin, the social class, the culture, and the specific decade into mind (instead of just a general sweep of multiple decades), and also adapting the colors and styles to fit what was available and worn everyday. I will try to keep the characters recognizable where I can, but I want to make my pictures realistic and so some elements of the original designs might be altered in the process.
Back when I first started the series I hadn’t planned to draw Rapunzel because I had no clue what her era was supposed to be, but then I learned that Tangled, according to the producers, was actually supposed to be taking place in the 1780s! (Before, of course, they retconned it to fit in Frozen’s universe.) You could see some of this influence in the concept art, but not much in the final film, so I thought it would be fun to bring some of that back into Rapunzel’s design.
It was still kind of tough to figure out what Rapunzel should wear since 18th century fashion depended heavily on your class, and a girl locked in a tower by a witch doesn’t exactly fit into any one category! However, when I looked at Rapunzel’s outfit she definitely appears to dress more like the Corona royalty than any of the village peasants, so I’m assuming that Gothel enabled her to keep up with the changing fashions…for some reason.
Although some women began experimenting with other styles, the two-piece gown, like the “robe l’anglaise,” was still the primary cut for women’s dresses in this period. Wealthy women had fancy versions of the dress with a train, but I found some extant examples with slightly more practical skirts that I thought fit Rapunzel better. I loved the laced front on these two gowns, just like her dress in the movie! The split skirt “robe” would have been worn over a separate skirt, called a petticoat. I gave Rapunzel a quilted petticoat like this – often women got creative with decorative designs, and with all Rapunzel’s free time I think she would put a lot of care into embellishing her clothing. Lastly, the violet color of Rapunzel’s dress didn’t really exist until chemical dyes came into use, but I found some very pretty mauve items, like this man’s suit, and this lady’s skirt, which inspired the colors for my version.
Of course, this being Rapunzel, I had to pay extra attention to her hair! The sky-high hairstyles of the 1770s had already gone out of style, replaced by the super curly style called the hedgehog! That is what I gave Rapunzel – with several added feet hanging down in the back. Women usually accented their hairstyles with a ribbon so I worked the stripes from Rapunzel’s sleeves into hers.
Finally we come to the issue of footwear. When I was putting together this design I planned to give Rapunzel shoes from the start; that was especially important for women, and even the very poor wore shoes if they could get them. That was until I read that, during this time period, going barefoot was a sign of public humiliation, forced on slaves and prisoners. The idea was that if you were barefoot you were less likely to escape, and if you were kicking or fighting you would do less harm than if you wearing shoes - plus it would set you apart from the authorities who had more power than you. WELL, with that information in hand I had to draw Rapunzel’s bare foot peeking out of her skirts! Living in the tower all her life she wouldn’t know that going without shoes was unusual, but I feel like Gothel would derive satisfaction from such a display of power. I also thought that element of her design was a perfect metaphor for Rapunzel’s situation in the movie – on the surface everything looks very neat and proper, but when you look a little closer you can see something is definitely not right.
Anyway, I hope you like this version of Rapunzel. I will also be doing Flynn eventually, but next week I will be adding another non-Disney lady to the lineup - Anya!
Later We have read, that Disnay has meant, that all three assassinations would have been too brutal for the american audience and that the film was only for adults.
Then We were even more surprised, because in Germany we read this stories already in the Kindergarten!
PS: Please excuse Our bad English skills!
Anyway, with my Historically Accurate Series I at least try to make the fashion a little closer to real life!
Yeah, that sounds about right. I think that's probably why I didn't really enjoy Tangled as much as I enjoyed the other Disney princess movies, because it just seemed to me like they were more concerned about being as marketable as possible, with jokes having a higher priority than the storyline, for example.